BIO
Vasilisa Palianina
Vasilisa Palianina (b. 1986) works with themes of sexual and gender identity, explores philosophical anthropology and contemporary politics through the optics of mythology. The theme of politics in the artist's works appeared not so long ago, as a reaction to the events of the modern history of Belarus.
The main technique of Vasilisa's work is graphics, however, the artist implements her projects in various modern media - installations, performances, video, embroidery, etc.
The main technique of Vasilisa's work is graphics, however, the artist implements her projects in various modern media - installations, performances, video, embroidery, etc.
WORKS
I love you. I love you so much. And are you?
2020
oil on canvas, 40x30 cm
oil on canvas, 40x30 cm
I love you. I love you so much. And are you?
2020
oil on canvas, 70x50 cm
oil on canvas, 70x50 cm
I love you. I love you so much. And are you?
2020
oil on canvas, 70x100 cm
oil on canvas, 70x100 cm
The Last Meal
2020
embroidery, mixed media, 180x400 cm (sketch)
embroidery, mixed media, 180x400 cm (sketch)
Untitled
2019
pencil, watercolor on paper, mixed media, 42x46 cm
pencil, watercolor on paper, mixed media, 42x46 cm
Untitled
2019
pencil, watercolor on paper, 36,5x86 cm
pencil, watercolor on paper, 36,5x86 cm
Birds of a feather flock together
2019
pencil, watercolor on paper, mixed media, 38x55 cm
pencil, watercolor on paper, mixed media, 38x55 cm
Boar
2019
pencil, watercolor on paper, 59x44 cm
pencil, watercolor on paper, 59x44 cm
Bless
2019
pencil, watercolor on paper, mixed media, 43x49,5 cm
pencil, watercolor on paper, mixed media, 43x49,5 cm
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CV
2021 Cross My Heart! Syntax Gallery, Moscow, Russia
2016 The Water as Itself. Part II, Ventspils Beach, Ventspils, Latvia
2015 The Water as Itself. National Center of Contemporary Art, Minsk, Belarus
2016 The Water as Itself. Part II, Ventspils Beach, Ventspils, Latvia
2015 The Water as Itself. National Center of Contemporary Art, Minsk, Belarus
2023 The Long Night of Exile. Akademie der Künste, Berlin, Germany
Piasok. Shklatar Gallery, Studio Iskra, Warsaw Poland
2022 Dialog between Generations. Belarusian Female Artists. KVOST - Kunstverein Ost and EPP Berlin, Berlin, Germany
When Red And White Ain’t So Black And White. Sentiment and Slavs and Tatars Picklebar, Zurich, Switzerland
2021 CULTPROTEST.ME: Künstler:innen für Demokratie in Belarus. Museum Folkwang, Essen, Germany
When Forms Become Attitudes. Fundacja Villa Sokrates, Krynki, Poland
Expired. Belarus art of resistant. Ultra Super New, Tokyo, Japan
2020 Belarus. Protest. Art. 59 Rivoli, Paris, France
Belarus Protest. Perron West, Utrecht, Netherlands
Faceless. KX Gallery, Brest, Belarus
Green corridor. DiDi Gallery, Saint Petersburg, Russia
Restricted Areas. KX Gallery, Brest, Belarus
2019 Native Case. National Center of Contemporary Art, Minsk, Belarus
2018 One Can Not Be Too Careful. Special Feminist Version. Lock In Gallery, Brighton, UK
Here and now. Exhibition space "Squat", Minsk, Belarus
2017 One Can Not Be Too Careful. Exhibition space "ЦЭХ", Minsk, Belarus
Fertile soil, art group "Palianina / Pchelka". Festival "Memory Lands // Inaugurazione & talk d'artista", B # S Gallery, Treviso, Italy
Performance "The problem that doesn't exist", art group "Palianina / Pchelka" / WORK HARD! PLAY HARD! TRANSMISSION, Minsk, Belarus
To be like "I". Gallery Y, Minsk, Belarus
2015 Selfie. Palace of Art, Minsk, Belarus
2014 Wastepaper. The Museum of the Belarusian Union of Designers, Minsk, Belarus
2013 Wastepaper. The Museum of Modern Art/ Minsk, Belarus
2011 DAH-JAH-11. Palace of Art/ Minsk, Belarus
2009 DAH-2009. Palace of Art/ Minsk, Belarus
Piasok. Shklatar Gallery, Studio Iskra, Warsaw Poland
2022 Dialog between Generations. Belarusian Female Artists. KVOST - Kunstverein Ost and EPP Berlin, Berlin, Germany
When Red And White Ain’t So Black And White. Sentiment and Slavs and Tatars Picklebar, Zurich, Switzerland
2021 CULTPROTEST.ME: Künstler:innen für Demokratie in Belarus. Museum Folkwang, Essen, Germany
When Forms Become Attitudes. Fundacja Villa Sokrates, Krynki, Poland
Expired. Belarus art of resistant. Ultra Super New, Tokyo, Japan
2020 Belarus. Protest. Art. 59 Rivoli, Paris, France
Belarus Protest. Perron West, Utrecht, Netherlands
Faceless. KX Gallery, Brest, Belarus
Green corridor. DiDi Gallery, Saint Petersburg, Russia
Restricted Areas. KX Gallery, Brest, Belarus
2019 Native Case. National Center of Contemporary Art, Minsk, Belarus
2018 One Can Not Be Too Careful. Special Feminist Version. Lock In Gallery, Brighton, UK
Here and now. Exhibition space "Squat", Minsk, Belarus
2017 One Can Not Be Too Careful. Exhibition space "ЦЭХ", Minsk, Belarus
Fertile soil, art group "Palianina / Pchelka". Festival "Memory Lands // Inaugurazione & talk d'artista", B # S Gallery, Treviso, Italy
Performance "The problem that doesn't exist", art group "Palianina / Pchelka" / WORK HARD! PLAY HARD! TRANSMISSION, Minsk, Belarus
To be like "I". Gallery Y, Minsk, Belarus
2015 Selfie. Palace of Art, Minsk, Belarus
2014 Wastepaper. The Museum of the Belarusian Union of Designers, Minsk, Belarus
2013 Wastepaper. The Museum of Modern Art/ Minsk, Belarus
2011 DAH-JAH-11. Palace of Art/ Minsk, Belarus
2009 DAH-2009. Palace of Art/ Minsk, Belarus
2009 graduated the Faculty NIMST (National Institute of Management for Social Technologies), Arts Department of Belarusian State University on specialty “Design”
2010 - 2011 art-practice at the Walter Sahcs’ art-studio, Weimar, Germany
2016 Art Hub Residence. Abu Dhabi, UAE
2017 Resident of "Residence of The Young Writer", Vilnius, Lithuania
2019 Resident of Scholarship Program "Gaude Polonia", Warsaw, Poland
2020 Resident of art group "Slavs and Tatars. Picklebar", Berlin, Germany
2010 - 2011 art-practice at the Walter Sahcs’ art-studio, Weimar, Germany
2016 Art Hub Residence. Abu Dhabi, UAE
2017 Resident of "Residence of The Young Writer", Vilnius, Lithuania
2019 Resident of Scholarship Program "Gaude Polonia", Warsaw, Poland
2020 Resident of art group "Slavs and Tatars. Picklebar", Berlin, Germany
